Towards a Digital Epistemology Aesthetics and Modes of Thought in Early Modernity and the Present Age

dc.contributor.authorJonas Ingvarsson
dc.date.accessioned2026-02-19T18:59:08Z
dc.date.available2026-02-19T18:59:08Z
dc.date.issued2021
dc.descriptionLibro electrónico
dc.description.abstractThis Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principleof pertinence contribute to the analyses of contemporary digital forms?
dc.identifier.isbn978-3-319-69623-927
dc.identifier.otherhttps://doi.org/10.1007/978-3-030-78724-0
dc.identifier.urihttps://link.springer.com/openurl?genre=book&isbn=978-3-030-78724-0
dc.identifier.urihttp://bibliovirtual.umar.mx:4000/handle/123456789/1873
dc.language.isoen_US
dc.publisherSpringer International Publishing
dc.titleTowards a Digital Epistemology Aesthetics and Modes of Thought in Early Modernity and the Present Age
dc.typeBook
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person.jobTitletrabajo

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